포장마차에 살고 있는 붕어빵은 물 속에서 헤엄치고 싶다는 동경을 품고 아름다운 바다처럼 보이는 횟집 수족관으로 들어간다. 하지만 그곳은 찬란한 바다가 아닌 깊고 어두운 심해였다. 붕어빵은 눈앞의 불빛만을 좇는 심해어들을 마주하지만, 자신의 꿈을 잃지 않기 위해 고군분투한다.

A young girl without friends is always alone. One day, the dandelion puffs she was holding were blown to someone's house by the wind. 　　A child who discovers a dandelion shows her friends but is ignored. So, she copes with her loneliness by befriending a black cat she meets behind a house. Plants are interesting in their ambivalence because they can be as beautiful as flowers and ugly as mold simultaneously. Still, the film focuses on plants’ passive ability to sway in the wind. Just as windows are portals through which cats can reach inside and outside worlds, spores are the connection between life and death. Humans who know how to pay attention to items as small as spores give them soil, water, and sunlight. Humans need not face but the ability to offer their bodies to the wind, like plants, the main character. It’s a story that focuses on a life of growth, a whole development within a city. (LEE Bora)